The Fare-well Letters (excerpt) by Evie Shockley

dear ink jet,

        black fast. greasy lightning.
won’t smear. won’t rub off.
        defense: a visual screen: ask
an octopus (bioaquadooloop).
        footprints faster than a speed-
ing bully, tracking dirt all
        over the page. make every
word count. one. two. iamb.
        octoroon. half-breed. mutt.
mulatto. why are there so few
        hybrids on the road? because
they can’t reproduce. trochee
        choking okay mocha. ebony,
by contrast, says so much.

 

Come listen to the poetry of Evie Shockley tonight at UVM’s Flemming Museum @ 6pm.
Here is some more information on Evie:
Born and raised in Nashville, Tennessee, Evie Shockley received her BA from Northwestern University. After studying Law at the University of Michigan, she earned her PhD in African Literature from Duke University.

Shockley’s first book, The Gorgon Goddess, was published by Carolina Wren Press in 2001. Since then she has published three books: a half-red sea(Carolina Wren Press, 2006), 31 words * prose poems (Belladonna* Books, 2007), and the new black (Wesleyan University Press, 2011).
Embracing both free verse and formal structures, Shockley straddles the divide between traditional and experimental poetics. A review of her work in Library Journal noted that, “Shockley’s work incorporates elements of myth without being patently ‘mythical’ and is personal without being self-indulgent, sentimental without being saccharine.” Her reported influences include Gwendolyn Brooks, Lucille Clifton, and Harryette Mullen.
A Cave Canem graduate fellow, Shockley was also awarded a residency at the Hedgebrook Retreat for Women Writers in 2003. Two of her poems were displayed in the Biko 30/30 exhibit, a commemoration of the life and work of anti-apartheid activist Steven Biko, which toured South Africa in 2007.
Shockley was co-editor of the poetry journal jubilat from 2004-2007, and teaches African American Literature and Creative Writing at Rutgers University-New Brunswick.

Come listen to the poetry of Evie Shockley tonight at UVM’s Flemming Museum @ 6pm.

Here is some more information on Evie:

Born and raised in Nashville, Tennessee, Evie Shockley received her BA from Northwestern University. After studying Law at the University of Michigan, she earned her PhD in African Literature from Duke University.

Shockley’s first book, The Gorgon Goddess, was published by Carolina Wren Press in 2001. Since then she has published three books: a half-red sea(Carolina Wren Press, 2006), 31 words * prose poems (Belladonna* Books, 2007), and the new black (Wesleyan University Press, 2011).

Embracing both free verse and formal structures, Shockley straddles the divide between traditional and experimental poetics. A review of her work in Library Journal noted that, “Shockley’s work incorporates elements of myth without being patently ‘mythical’ and is personal without being self-indulgent, sentimental without being saccharine.” Her reported influences include Gwendolyn Brooks, Lucille Clifton, and Harryette Mullen.

A Cave Canem graduate fellow, Shockley was also awarded a residency at the Hedgebrook Retreat for Women Writers in 2003. Two of her poems were displayed in the Biko 30/30 exhibit, a commemoration of the life and work of anti-apartheid activist Steven Biko, which toured South Africa in 2007.

Shockley was co-editor of the poetry journal jubilat from 2004-2007, and teaches African American Literature and Creative Writing at Rutgers University-New Brunswick.

Quraysh Ali Lansana was working in broadcast journalism until his transition into poetry was ignited by the works of acclaimed poet Gwendolyn Brooks. In this interview Quraysh explains the difference between sonics and musicality, and helps his readers understand the way his background in performance and spoken word plays into the way he develops his words for the page. At the end of the interview  Quraysh reads the haunting and beautiful poem, “blur” which alludes to the memory of Karen Silkwood’s tragic murder.

You can read “blur” here:

https://www.aprweb.org/poem/blur

And find out more on Quraysh here:

http://www.poetryfoundation.org/bio/quraysh-ali-lansana

In this interview I spoke with Deborah Landau about her book’s Orchidilerium, and The Last Usable Hour. It was an exciting moment for me because Deborah and Megan O’Rourke were the creators of The Open Book Series, which was an inspiration for this project, and is sadly now defunct. Besides conversing on the current state of literature in the media, Deborah talked of the sleepless nights in NYC the shaped the poems in The Last Usable Hour. Watch the interview to learn more about this wonderful poet read her own work, and talk about all the awesome stuff going on at NYU!

If you’ve been looking to link up with other creative people, and don’t have a blog by now, January Gill O’neil will tell you why its time to sign up and sign in. In this month’s episode of The Painted Word Poetry Series readings and interviews, I was lucky to have spoken with January about how to artfully divide a book into sections. In her first book Underlife (CavanKerry Press, 2009) she moves through a stream of memories, first only touching the lighter surfaces, then in later sections delving into the constant and darker under currents of what is going on beneath the surface of life, and memory. To learn more about January’s poetry go to her blog PoetMom, and watch this interview!

This was the first interview I have ever conducted on camera for this series , and we sure covered a lot of ground! Starting from the crib, Marie Howe’s life has been immersed in connecting images with their textual counterparts. In the interview Marie guides us through a life shaped by childhood memorization of poetry, to catholic school, to the tub where she read the gruesome book The Lives of the Saint’s over and over again, to her established career in the field of creative writing. In her work she speaks through he voice of Eve, and Issac, and then through the lens of her brother’s life as the victim of the AIDS epidemic. 

Poets Among Us Event

Vermont is a state known for its rich artistic culture, one founded on the idea that we should nurture our mind, with creativity, cheese, cows and I guess, maple syrup. Why is it that so many artists, poets in particular, find themselves drawn to this state? How do they use it for inspiration? To find out, I probed the minds of local poets Kellam Ayres, Alison Moncrief, Rachel Daley, and Kerrin McCadden, for the University’s celebration of Vermont writers, Poets Among Us Event. Not only did these four women reveal their earliest inklings of becoming the poets they are now, they also gave us an idea of what the professional atmosphere of being a poet is like. Apparently, cheese, and syrup do not play a large role in the draw to be a Vermonter, but one reason that we all can identify with, is the open community that Vermont offers. Rachel Daley appreciates her community’s ability to absorb her when she feels like engaging, and to support her from afar when she wants to get away and write. It was a pleasure to meet, and chat with these amazing women, I hope you enjoy the interview as much as I did.